November 1907 marked the return of the Victor studio to Camden, from Philadelphia, after an absence of more than six years. The impending move got only a vague mention in that month’s Talking Machine World, in a story on a visit by distributor Max Landay, who said, “I understand the company will remove their recording laboratory from Philadelphia to Camden, into premises that are ideal.” The move was documented by Harry O. Sooy, Victor’s chief recording engineer:
During November  we moved the Laboratory from 424 So. 10th St., Philadelphia, to the building S.W. Corner Front and Cooper Streets, Camden, N.J., in which we occupied the fourth floor. The first large type “D” recording machine was installed in the Camden Laboratory prior to our moving into same. [“D” refers to Wilbur N. Dennison, who assigned a large number of patents to Victor over the years.]
To repeat a point we’ve made often (and wish we didn’t still have to, but old myths die hard): Any discography showing a Camden recording location between early September 1901 and late November 1907 is in error. For a detailed, documented chronology of Victor’s early studio sites, see Camden, Philadelphia, or New York? Fact-Checking the Victor Studio Locations, 1901-1920.
Here’s the complete pictorial section of Victor’s November 1907 catalog, courtesy of Victor expert John Bolig:
By the way, John’s landmark Victor Discography Series titles are selling out quickly as Mainspring winds down its book operation. Several are already out of print, and remaining inventory is in very short supply. If there are any titles you need, hurry over to the Mainspring Press website and order while you still can!
Our thanks to John Bolig for the first fully detailed discography of the RCA-produced “World’s Greatest Operas” records. Data are from original RCA documentation at the Sony archives in New York. All issues were anonymous, but as you’ll see, some first-rate talent was employed.
John’s complete listing of RCA’s “World’s Greatest Music” records (a substantially revised and expanded version of our very basic listing that was posted a few weeks ago) has also been posted.
Note that this listing is only for the original RCA-produced series. Other producers took over the “World’s Greatest…” series after the RCA Victor connection was severed in 1940.
Our thanks to Victor expert John Bolig for revising and greatly expanding the very basic “World’s Greatest Music” listing that we posted a few weeks ago. The data are from RCA’s original documentation at the Sony archives in New York. A complete listing of RCA’s “World’s Greatest Operas” series is also being posted later today.
(By the way, several of John’s landmark Victor Discography titles have sold out recently. The remaining volumes are still available on the Mainspring Press website, but supplies are very limited. The listing below will give you a good idea of the high-quality data and attention to detail you’ll find in all of John’s books.)
Note that this listing is only for the original RCA-produced series of 1938-1940. Other producers took over the series after the RCA Victor connection was severed, and later pressings are not RCA products.
Our thanks to John Bolig, the ultimate Victor expert, for use of this rare original.
John Bolig’s many fans will be happy to hear that his new Victor Black Label Discography, Volume 5 is now available as a free download, courtesy of UC-Santa Barbara’s online Discography of American Historical Recordings (< click this link to get to the download site).
Volume 5 — the first in this important series for which there will be no printed edition — covers the 25000, 26000, and 27000 series, from 1935 to 1942. Like all previous volumes, it was compiled from the original RCA documentation and contains no speculative or anecdotal material — just the (non-alternative) facts.
The download is in searchable PDF format (Adobe Acrobat or Reader) and can be printed out for personal use. For book enthusiasts, Mainspring Press still has copies of Volumes 1–4 available (which are not available as free downloads), but quantities are very limited, so order soon to avoid missing out — they’re sure to become collectors’ items.
In February 1906 Victor began featuring original artwork on its monthly supplement covers, in place of the uniform boilerplate design that it had used since early 1904. Unfortunately, with the exception of the May 1907 issue, the illustrations are unsigned. The last original cover artwork appeared on the November 1907 issue, after which Victor reverted to using a plain stock design, which varied only in its color scheme from month to month.
Original catalogs courtesy of John R. Bolig
We’re honored to announce that three Mainspring Press titles have received 2015 awards from the Association for Recorded Sound Collections. Details and secure online ordering are available on the Mainspring Press website.
The ARSC Award for Excellence—Best Label Discography went to Eli Oberstein’s United States Record Corporation: A History and Discography, 1939–1940:
2015 Certificates of Merit were awarded to The Victor Discography: Special Labels, 1928–1941; and Ajax Records: A History and Discography:
ORDER SOON if you’re interested in Oberstein or Victor Special Labels. Both titles have been on the market for a while, so supplies are running low (and in addition, there’s recently been a big library run on USRC). We won’t be reprinting either title once our current supplies are gone.
Sorry, Ajax has already sold out (it was a 2013 title — the wheels sometimes turn very slowly at ARSC), although we might consider reprinting this one if there’s sufficient interest — Let us know.
From the Victor monthly supplements (1915 –1916), courtesy of John R. Bolig. Full discographical details of the artists’ recordings from this period, compiled from the original recording ledgers and production cards, can be found in John’s Victor Black Label Discography, Vol. 1 (16000 / 17000 Series), available from Mainspring Press and many major libraries.