A Gallery of 1898 Recording Artists

These extracts are from an August 1898 Phonoscope feature, “Gallery of Talent Employed for Making Records” (entries without photographs are not shown).

All of the artists pictured were active into the early 1900s, and far beyond in many cases, but Russell Hunting and Steve Porter had the longest and most distinguished recording-industry careers.  In addition to his prolific recording activities, Hunting was the editor of The Phonoscope (the industry’s first trade journal) in the 1890s, and he was still active in the later 1920s as American Pathé’s technical director.

Stephen Carl (Steve) Porter spent several years abroad in the early 1900s, including a stint as a recording engineer with the Nicole company, for which he made ethnic recordings in India and Burma. Upon his return to the U.S. he resumed recording (often in a stereotypical “dumb Irish” role that belied his brilliance), organized and managed the Rambler Minstrels (a popular recording and for-hire act that featured Billy Murray), and successfully filed for patents on various devices, including the Port-O-Phone, an early hearing aid. His activities are covered in detail in Steve Porter: Global Entrepreneur, on the Mainspring Press website.

 

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A Gallery of Pioneer Recording Artists (1898)

This gallery of early recording artists appeared in The Phonoscope for July 1898. Although touted as Columbia stars (on cylinders; Columbia discs were still several years away), they also recorded prolifically for other companies. Several, including Quinn and Gaskin,  ran display ads in the same paper, offering their services to any and all.

The “Mr. Emerson” mentioned in the first paragraph was Victor Hugo Emerson, later better known as the manufacturer of Emerson Records. Steve Porter and Russell Hunting would also come to play important roles in the early recording industry, the latter as a Pathé executive.

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