Discography Update • Correct Personnel for Ted Wallace’s Campus Boys (1930 Columbia Sessions)

We continue with corrections to the Ed Kirkeby personnel listings found in Jazz Records (Rust) and American Dance Bands (Johnson & Shirley). The corrected data below, for the 1930 “Ted Wallace” dates at Columbia, are all from Kirkeby’s Payroll Book #4.

(For those not familiar with Kirkeby’s papers, there are two main components of discographical interest — the “dairies” (which we refer to in these postings as “session logs”) and the payroll books. “Diary” entries often made were before the actual sessions took place, and as such, they are not always reliable. The payroll books show which musicians were paid after each date, and thus can be taken as authoritative. Brian Rust (JR) apparently did have access to some of the “diaries” as claimed (and that information was recycled in ADB), but obviously neither he nor the Johnson-Shirley group consulted some of the payroll books.)

For comparison’s sake, we’ve also shown the JR and ADB personnel listings, with the erroneous guesses crossed-out. ADB gives very specific (albeit often incorrect) personnel, with no sources cited, although obviously not from the Kirkeby files. On the other hand, JR shows only a “collective personnel,” consisting of forty-one names comprising anyone even marginally connected with Kirkeby at the time (while managing to miss a number of musicians who actually were present) — proof of the axiom that if you throw enough crap at the wall, some of it’s bound to stick.

Here are our previous postings correcting the bad JR-ADB data using Kirkeby’s session logs and payroll books:

Correct Personnel and Dates for the California Ramblers’ 1929–1930 Grey Gull Sessions
Correct Personnel and Dates for the California Ramblers’ 1927–1928 Cameo Sessions
Correct Personnel for Grey Gull’s July 1926 “Little Pilgrims” Session (California Ramblers)
Correct Personnel for Gennett’s 1926 “Vagabonds” Sessions (California Ramblers)
Correct Personnel and Date for Crown’s 1930 “Lloyd Newton Varsity Eleven” Session
The Missing May 1931 Ed Kirkeby – Billy Murray Sessions (American Record Corp.)


TED WALLACE & HIS CAMPUS BOYS: Columbia, 1930 — Part 1

 New York: January 18, 1930

When You’re Smiling (mx. W 149782)
What Do I Care? (mx. W 149783)

Fred Van Eps, Jr. (trumpet)
[JR: “Collective” / ADB: probably Jack Purvis]

Frank Cush (trumpet)
[JR: “Collective” / ADB: probably Chelsea Quealy]

Carl Loeffler (trombone)
[JR: “Collective” / ADB: probably Ted Raph]

Pete Pumiglio (reeds)
[JR: “Collective” / ADB: probably Pete Pumiglio]

Paul Mason (reeds)
[JR: “Collective” / ADB: probably Paul Mason]

Carl Orrick [Orech] (reeds)
[JR: “Collective” / ADB: probably Harold Marcus]

Chauncey Gray (piano)
[JR: “Collective” / ADB: probably Chauncey Gray]

Tommy Felline (guitar)
[JR: “Collective” / ADB: probably Tommy Felline]

Ward Lay (bass)
[JR: “Collective” / ADB: probably Ward Lay]

Stan King (drums)
[JR: “Collective” / ADB: probably Stan King]


 

 New York: February 19, 1930

Get Happy  (mxs. W 149999 [Columbia], W 195080 [export], W 100366 [budget   labels], W 495022 [American Odeon-Parlophone])
Sweetheart Trail  (mx. W 150000 [Columbia], W 195083 [export], W 100363 [budget labels], W 405023 [American Odeon-Parlophone])

Don McCarter (trumpet)
[JR: “Collective” / ADB: Jack Purvis]

(?) Condon (trumpet)
[JR: “Collective” / ADB: Chelsea Quealy]

Herb Winfield (trombone)
[JR: “Collective” / ADB: Al Philburn]

Paul Mason (reeds)
[JR: “Collective” / ADB: probably Paul Mason]

Tommy Bohn (reeds)
[JR: “Collective” / ADB: Sam Ruby]

(?) Herbert (reeds)
[JR: “Collective” / ADB: Pete Pumiglio]

Tony Zangh (crossed out, with Zonchi substituted) (piano)
[JR: “Collective” / ADB: probably Chauncey Gray]

Mike Poveromo (guitar)
[JR: “Collective” / ADB: probably Tommy Felline]

Tex Hurst (bass)
[JR: “Collective” / ADB: probably Ward Lay]

Herb Weil (drums)
[JR: “Collective” / ADB: probably Stan King]

One of the Feldkamps was also paid $25 for this session (which Feldkamp, and in what capacity, are not noted)


 

New York: March 14, 1930

The Stein Song (mx. W 150088)
Telling It to the Daisies (mx. W 150089)

Don McCarter (trumpet)
[JR: “Collective” / ADB: Leo McConville]

Tony Giannelli (trumpet)
[JR: “Collective” / ADB: Fuzzy Farrar or Tommy Gott]

Carl Loeffler (trombone)
[JR: “Collective” / ADB: Tommy Dorsey]

Pete Pumiglio (reeds)
[JR: “Collective” / ADB: Pete Pumiglio]

Paul Mason (reeds)
[JR: “Collective” / ADB: no second reed man listed]

Tommy Bohn (reeds)
[JR: “Collective” / ADB: No third reed man listed]

Irving Brodsky (piano)
[JR: “Collective” / ADB: probably Chauncey Gray]

Tommy Felline (guitar)
[JR: “Collective” / ADB: probably Tommy Felline]

Tex Hurst (bass)
[JR: “Collective” / ADB: Joe Tarto]

Herb Weil (drums)
[JR: “Collective” / ADB: Stan King]


 

New York: July 10, 1930

Hittin’ the Bottle (mx. W 150643)
Little White Lies (mx. W 150644)

Fred Van Eps, Jr. (trumpet)
[JR: “Collective” / ADB: Jack Purvis]

Tony Giannelli (trumpet)
[JR: “Collective” / ADB: no second trumpet listed]

Carl Loeffler (trombone)
[JR: “Collective” / ADB: probably Carl Loeffler]

Joe Gillespie (reeds)
[JR: “Collective” / ADB: Pete Pumiglio]

Ed Blanchard (reeds)
[JR: “Collective” / ADB: Tommy Bohn]

Elmer Feldkamp (reeds)
[JR: “Collective” / ADB: probably Elmer Feldkamp]

Lew Cobey (piano)
[JR: “Collective” / ADB: probably Lew Cobey]

Ed Sexton (guitar)
[JR: “Collective” / ADB: probably Ed Sexton]

Ward Lay (bass)
[JR: “Collective” / ADB: probably Ward Lay]

Jack Powers (drums)
[JR: “Collective” / ADB: probably Jack Powers]


New York: August 12, 1930

Tomorrow Is Another Day (mx. W 150701)
Don’t Tell Her (What’s Happened to Me) (mx. W 150702, also dubbed to W 91937 and W 91938 as part of two radio-program transcriptions)

Jack Purvis (trumpet)
[JR: “Collective” / ADB: probably Jack Purvis]

(?) Osborne (trumpet)
[JR: “Collective” / ADB: no second trumpet listed]

Carl Loeffler (trombone)
[JR: “Collective” / ADB: probably Carl Loeffler]

Bobby Davis (reeds)
[JR: “Collective” / ADB: probably Pete Pumiglio]

Paul Mason (reeds)
[JR: “Collective” / ADB: probably Tommy Bohn]

Elmer Feldkamp (reeds)
[JR: “Collective” / ADB: probably Elmer Feldkamp]

Lew Cobey (piano)
[JR: “Collective” / ADB: probably Lew Cobey]

Ed Sexton (guitar)
[JR: “Collective” / ADB: probably Ed Sexton]

Ward Lay (bass)
[JR: “Collective” / ADB: probably Ward Lay]

Jack Powers (drums)
[JR: “Collective” / ADB: probably Jack Powers]


 

New York: September 23, 1930

My Baby Just Cares for Me (mx. W 150837)
Sweet Jennie Lee (mx. W 150838)

Jack Purvis (trumpet)
[JR: “Collective” / ADB: probably Jack Purvis]

Don McCarter (trumpet)
[JR: “Collective” / ADB: no second trumpet listed]

Carl Loeffler (trombone)
[JR: “Collective” / ADB: probably Carl Loeffler]

Bobby Davis (reeds)
[JR: “Collective” / ADB: Bobby Davis]

Tommy Bohn (reeds)
[JR: “Collective” / ADB: probably Tommy Bohn]

Pete Pumiglio (reeds)
[JR: “Collective” / ADB: probably Pete Pumiglio]

Lew Cobey (piano)
[JR: “Collective” / ADB: probably Lew Cobey]

Ed Sexton (guitar)
[JR: “Collective” / ADB: probably Ed Sexton]

Ward Lay (bass)
[JR: “Collective” / ADB: probably Ward Lay]

Jack Powers (drums)
[JR: “Collective” / ADB: probably Jack Powers]

The payroll book also lists “D. Dixon” without further identification.


New York: October 21, 1930 [no session log; date listed in payroll book only]

Fraternity Blues (mx. W 150894)
Football Medley (My Collegiate Man) (mx. W 150895)

Jack Purvis (trumpet)
[JR: “Collective” / ADB: probably Jack Purvis]

— (second trumpet: none in payroll list)
[JR: “Collective” / ADB: Fred Van Eps, Jr.]

Carl Loeffler (trombone)
[JR: “Collective” / ADB: probably Carl Loeffler]

Bobby Davis (reeds)
[JR: “Collective” / ADB: Dick Dixon*]

Joe Gillespie (reeds)
[JR: “Collective” / ADB: Joe Gillespie]

M. Dickson (violin)
[JR: “Collective” / ADB: probably Sam Hoffman and Sidney Harris]

Lew Cobey (piano)
[JR: “Collective” / ADB: probably Lew Cobey]

Ed Sexton (guitar)
[JR: “Collective” / ADB: probably Ed Sexton]

Ward Lay (bass)
[JR: “Collective” / ADB: probably Ward Lay]

Jack Powers (drums)
[JR: “Collective” / ADB: probably Jack Powers]

*The last line of the payroll book entry, where singers usually were listed when used, shows “Dixon” (no first name), which normally was a pseudonym for vocalist Dick Robertson.


To be continued…

 

DISCOGRAPHY UPDATE • Personnel for Grey Gull’s July 1926 “Little Pilgrims” Session (California Ramblers)

This morning we add another “lost” session to the California Ramblers’ confirmed output, thanks to further foraging in Ed Kirkeby’s payroll books. This information does not appear in Jazz Records or the new edition of American Dance Bands — Kirkeby’s session log for this date seems to be missing (it’s absent from our copy, anyway), and the compilers of JR and ADB  apparently didn’t access the corresponding payroll book.

Oh, the dangers of “aural identification” — Jazz Records cites no instrumental personnel other than trumpeter Red Nichols who, as it turns out, was not present. Kirkeby paid his featured soloists extra, so at least based upon the pay rates shown below, it appears likely that Roy Johnston plays the trumpet solos  on these sides.


New York: Friday, July 23, 1926 — Grey Gull *

The Girl Friend (mx. 2023)
Hi Diddle Diddle (mx. 2025)
When the Red, Red Robin Comes Bob, Bob, Bobbin’ Along (mx. 2024)
(Titles are shown above in the order listed by EK, not in mx-number order)

Personnel and payments, per Ed Kirkeby’s payroll book:

Ed Kirkeby — $44
Roy Johnston (trumpet) — $22
Frank Cush (trumpet) — $15
George Troup (trombone) — $15
Freddy Cusick (saxophone) — $15
Bobby Davis (saxophone) — $22
Sam Ruby (saxophone) — $15
Jimmy Pugliese (bass saxophone) — $15
Tommy Felline (banjo) — $20
Jack Russin (piano) — $15
Herb Weil (percussion) — $15

*Grey Gull was finally recording in its own studio by this time, after several years with Emerson.


 

Discography Update • Correct Identification and Personnel for “Lloyd Newton & his Varsity Eleven” (Crown, 1930)

Another long-standing mystery solved, thanks to band contractor Ed Kirkeby’s files. The guesswork personnel listings for “Lloyd Newton & his Varsity Eleven”  in Jazz Records and the new edition of American Dance Bands — the latter being basically just a re-run of the undocumented JR listing — should be disregarded. The group is actually Ed Kirkeby’s Orchestra; here are the correct personnel, studio location, and recording date (JR’s and ADB’s guesses are off by a month), from Mr. Kirkeby’s session and payroll files:

New York: November 17, 1930
Crown — Sol Kronberg — 122 5 [Fifth] Ave. — Date O.K.”

Mx. 1066 (St. Louis Blues)
Mx. 1067 (Sweet Jennie Lee)
Mx. 1068 (I Got Rhythm)

Personnel per Ed Kirkeby’s files: Jack Purvis, Fred Van Eps Jr. (trumpets); Carl Loeffler (trombone); Bobby Davis, Joe Gillespie (reeds); (M.?) Dickson, Sidney Harris, Sam Hoffman (violins); Ed Sexton (guitar); Lew Cobey (piano); Ward Lay (bass); Jack Powers (percussion); Dick Dixon (usually a pseudonym for Dick Robertson), unidentified trio (vocals).

(Kirkeby listed this as a “Banner” session in his payroll book, perhaps from force of habit. Sol Kronberg, who is credited in the session log as shown above, was co-owner of the Plaza Music Company, which marketed Banner records until it was left out of the American Record Corporation merger in 1929. ARC kept the Banner brand, however, and Kronberg went on to launch Crown with several other Plaza executives.)


 

“Lloyd Dayton & his Music” Finally Identified (from the Ed Kirkeby Files)

Thanks to our recent research of Ed Kirkeby’s files in conjunction with the ongoing Pathé-Perfect and American Record Corporation projects, we’ve finally unearthed the true identity of the band ARC credited as “Lloyd Dayton & his Music” (which, to further confuse matters, was logged by ARC as “Fred MacDougall & his Orchestra”). It’s none other than Ed Kirkeby & his Orchestra, with his usual personnel of the period.

The compilers of The American Dance Band Discography and American Dance Bands on Records and Film obviously didn’t check for these in Kirkeby’s files. ADB shows all personnel as unknown and doesn’t mention Kirkeby. ADBFR makes a tiny bit of headway, mentioning a “reported” Kirkeby connection, guessing correctly Jack Purvis, and getting Dick Dixon partially correct (right name, wrong instrument), while leaving the rest blank.

The correct data from Kirkeby’s logbook and payroll files are shown below. First names (except Dixon’s) are not listed in either file; we’ve inserted [in brackets] the first names of musicians who are confirmed to have been on Kirkeby’s payroll in late 1930.

Kirkeby logged this as a Cameo session, but that label was discontinued a short time later, so the recordings instead appeared on Banner, Romeo, and other ARC brands. The session is headed “Three dogs” (i.e, throw-away “filler” tunes,  generally not even copyrighted) in Kirkeby’s log — a surprisingly honest appraisal, given that Kirkeby himself composed one of them!

October 10, 1930 (ARC mxs. 10131 – 10133, issued as Lloyd Dayton & his Music):

[Jack] Purvis (trumpet); Dick Dixon (first name listed in this case only; the beginning of the logbook session entry reads “Add trombone Dick Dixon,” but the name appears in the payroll record as “Dickson”); [Bobby] Davis, [Joe] Gillespie (reeds); [Sidney] Harris, [Sam] Hoffman (violins); [Lew] Cobey (piano); [Ed] Sexton (guitar); [Ward] Lay (string bass); [Jack] Powers (percussion)

.