“Blackface” Eddie Ross: A Clipping Archive
(1911 – 1931)
Giraud Ross Eddinger (a.k.a. Eddie G. Ross and “Blackface” Eddie Ross) was among the last of his kind, an old-fashioned burnt-cork minstrel man in an age that was rapidly moving away from such fare. Ross apparently was not Canadian, as some writers have claimed, although he performed there often. He was born in Hillsdale, Michigan, married in nearby Jackson, and lived in Orlando, Florida, for much of his adult life.
A capable ragtime banjo soloist and composer, Ross tested for Edison in 1917 but was rejected. He made four tests for Victor. The first, “Ross’ Dog Trot” (recorded July 18, 1921, with piano accompaniment), was apparently enough to convince Victor, which on August 30 had him remake the title with studio orchestra for commercial release. The recording was made on a “special narrow-groove matrix,” no doubt accounting for its tendency to turn up in stripped-out condition. Ross later made three more Victor tests, in June and August 1922, including a “Whistling Medley” with monologue, the only confirmed instance of anyone having recorded his voice.
Ross made only six issued recordings, all of his own cakewalk-style titles that were already dated but still popular, as apparent sales of his first release (“Ross’ Dog Trot” / “Ross’ Reel”) proved. It’s still one of the most commonly encountered Victors of the period, and in 1927 it was transferred to Victor’s “Historical Catalog,” rather than being deleted entirely in the purge of acoustic material following Victor’s conversion to electrical recording.
Ross’ second release, in 1922 (for which an extra tuba was added to the studio orchestra), is not as frequently encountered. His final Victor, recorded in November 1923 with a more-modern accompaniment by Ross Gorman (saxophone) and Leroy Shield (piano), does not appear to have been a strong seller.
Eddie Ross in Canada (Ottawa, October 1914)
Ross reportedly was touring in vaudeville by 1909. One of his earliest known billings (October 1911) appears above, along with Ross’ wedding announcement, in Jackson, Michigan (June 1911).
With Neil O’Brien’s Minstrels in Corsicana, Texas (February 1918)
Back in Canada, this time on the Pantages vaudeville circuit
(Edmonton, June 1918)
Dealer ad for Ross’ first release (December 1921)
“BLACKFACE” EDDIE ROSS: Ross’ Reel
New York: August 31, 1921 (released December 1921)
Victor 18815 (mx. B 25542 – 2)
Studio orchestra directed by Rosario Bourdon. “Special narrow-groove matrix,” per Victor files.
“BLACKFACE” EDDIE ROSS: Ross’ Juba
Camden, NJ: July 5, 1922 (released November 1922)
Victor 18926 (mx. B 26585 – 1)
Studio orchestra directed by Rosario Bourdon. “Extra tuba [Adolph] Hirschberg,” per Victor files.
Review of Ross’ first release (Leavenworth, Kansas, December 1921)
Ross with the Al. G. Field Minstrels: Jackson, Mississippi (top, December 1926), and in his hometown of Orlando, Florida (bottom, January 1927)
In Orlando (February 1928)
One of Ross’ last documented appearances, with the Al. G. Field Minstrels (Dayton, Ohio, July 1931). He died on November 22, 1931.
© 2019 by Allan R. Sutton. All rights are reserved. Discographical data are from the original company files, via the University of California–Santa Barbara’s Discography of American Historical Recordings site and John R. Bolig.