Clarence Williams: Newspaper Highlights (1922 – 1965)

Clarence Williams: Newspaper Highlights (1922 – 1965)

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Advertisement for Clarence Williams’ first record, on the C&S label (1922). The C&S Phonograph Record Company was a short-lived venture of Thomas Chappelle and Juanita Stinnette Chappelle, who encouraged Williams to marry singer Eva Taylor.

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With Sara Martin, one of Okeh’s early race-series stars
(June 1923)

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With wife Eva Taylor (July 1923)

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“Papa De-Da-Da” was among the Blue Five sides featuring
Louis Armstrong. (July 1925)

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A vocal release by Williams and Clarence Todd, here misspelled “Dood.” Todd, along with Eva Taylor, was a member of the Clarence Williams Trio, which broadcast regularly for several years. (July 1925)

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Williams was Okeh’s New York studio workhorse in the mid-1920s. Here, his Blue Five accompany a young Sippie Wallace. (August 1925)

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New York (June 1926)

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Williams’ ill-fated Bottomland opened on June 27, 1927, and closed after only nineteen performances.

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New York Age (January 3, 1953). Member of the Clarence Williams Trio pictured above are (left to right) are Williams, Eva Taylor, and Clarence Todd.

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Working the New York clubs (1951 and 1955)

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.     New York (November 9, 1965)

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And a sampling from Williams’ tremendous recorded output:

 

CLARENCE WILLIAMS’ ORCHESTRA: Jingles

New York: October 1927
Paramount 12587 (mx. 2882 – 2)
Featuring Coleman Hawkins, on loan from Fletcher Henderson’s Orchestra

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CLARENCE WILLIAMS & HIS BOTTOMLAND ORCHESTRA:
Slow River (export version)

New York: June 7, 1927
Brunswick (German) A-457 (mx. E 23502)
The standard version (mx. E 23500) includes vocal chorus by Evelyn Thompson (Preer).

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CLARENCE WILLIAMS’ WASHBOARD FIVE (Williams, vocal):
Walk That Broad

New York: September 26, 1928
Okeh 8629 (mx. W 40115 – A)

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CLARENCE WILLIAMS’ JAZZ KINGS: The Keyboard Express

New York: August 1, 1928
Columbia 14348-D (mx. W 146825 – 3)

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CLARENCE WILLIAMS & HIS ORCHESTRA (as Memphis Jazzers): Close Fit Blues

New York: March 1929
Van Dyke 7801 (Grey Gull mx. 3394 – B)

Collectors’ Corner (Free MP3’s): Some March 2019 Finds • Fats Waller with Tom Morris, Fletcher Henderson, Duke Ellington, Red Nichols, East Texas Serenaders, Uncle Dave Macon

Collectors’ Corner: Some March 2019 Finds
Fats Waller with Tom Morris, Fletcher Henderson,
Duke Ellington, Red Nichols, East Texas Serenaders,
Uncle Dave Macon
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THOMAS MORRIS & HIS HOT BABIES with THOMAS [FATS] WALLER  (E)

Camden, NJ (Church studio): December 1, 1927
Victor 21358 (mx. BVE 40097 – 2)
“Race release,” per Victor files. The personnel listed in Rust’s Jazz Records and derivative works, other than Waller and Morris, should be considered speculative (no source cited, not from Victor file data).

 


RED NICHOLS & HIS FIVE PENNIES: Ida, Sweet as Apple Cider  (E+)

New York: August 15, 1927
Brunswick (British) 01536 (mx. E 24232)
Stock arrangement, per the Brunswick files. The personnel listed in Rust’s Jazz Records and derivative works, other than Nichols, should be considered speculative (no source cited, not from Brunswick file data).

 


DUKE ELLINGTON & HIS ORCHESTRA (as The Jungle Band): Tiger Rag,
Part 2
 (EE+)

New York: January 8, 1929
Brunswick (French) A 9279 (mx. E 28941 – A)
Irving Mills arrangement, per the Brunswick files. The personnel listed in Rust’s Jazz Records and derivative works should be considered speculative (no source cited, not from Brunswick file data).

 


FLETCHER HENDERSON & HIS ORCHESTRA: Tidal Wave  (E)

New York: September 12, 1934
Decca 213 (mx. 32602 – A)
The personnel listed in Rust’s Jazz Records and derivative works should be considered speculative (no source cited, not from Decca file data).

 


EAST TEXAS SERENADERS: Acorn Stomp  (E)

Dallas: December 2, 1927
Brunswick 282 (mx. DAL-720- )

 


UNCLE DAVE MACON & HIS FRUIT-JAR DRINKERS: Tom and Jerry (E- to V+)

New York: May 9, 1927
Vocalion 5165 (mx. E 2759)

Collector’s Corner – Some September Finds • Billy Murray & Friends, The Plantation Orchestra, Clarence Williams’ Washboard Five, Louis Armstrong’s Savoy Ballroom Five, Bill Cox

Collector’s Corner (September 2018) • Billy Murray and Friends, The Plantation Orchestra, Clarence Williams’ Washboard Five, Louis Armstrong’s Savoy Ballroom Five, Bill Cox

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September was a real mixed bag collecting-wise, everything from pioneer stuff to some 1920s jazz classics to a big stack of early 1930s Champions (plus a slew of nice cylinders that are still being gone through for a future posting). Here are a few favorites from the September additions:

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BILLY MURRAY:
Eskimo Rag
  (EE-)

Camden, NJ: June 17, 1912
Victor 17166 (mx. B 12112 – 2)
Released November 1912; Deleted November 1914

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ELSIE BAKER (as EDNA BROWN) & AMERICAN QUARTET:
Mysterious Moon  (E-)

Camden, NJ: June 18, 1912
Victor 17166 (mx. B 12114 – 2)
Released November 1912; Deleted November 1914

Elsie Baker is identified in the Victor files, as is the American Quartet (Billy Murray, lead tenor and speech), who are not credited in the labels.

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THE PLANTATION ORCHESTRA:
Smiling Joe
 
(V++)

London: December 1, 1926
Columbia (British) 4185  (mx. A 4544 -1)

This was the pit orchestra from the Blackbirds Revue, an American production featuring Florence Mills that played the London Pavilion in 1926.

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CLARENCE WILLIAMS’ WASHBOARD FIVE (Williams, vocal):
Have You Ever Felt That Way?
(E-)

New York: September 26, 1928
Okeh 8629 (mx. W 401153 – A)

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CLARENCE WILLIAMS’ WASHBOARD FIVE (Williams, vocal):
Walk That Broad
(E-)

New York: September 26, 1928
Okeh 8629 (mx. W 401152 – A)

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LOUIS ARMSTRONG & HIS SAVOY BALLROOM FIVE:
Mahogany Hall Stomp (EE-)

New York: March 5, 1929
Okeh 8680 (mx. W 401691 – B)

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BILL COX (as LUKE BALDWIN):
My Rough and Rowdy Ways
(E-)

Richmond, IN: April 28, 1930
Champion 16009 (mx. GE 16544)

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Going to Press in October:

Free Personal-Use Download: Brian Rust’s Complete “Jazz and Ragtime Records, 1897-1942” (6th and Final Edition)

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