Collectors’ Corner (Free MP3’s) • Some Early April Finds: Charlie Segar, L. C. Williams, Claude Casey’s Pine State Playboys, Jelly Roll Morton, Seven Hot Air-Men

Collectors’ Corner (Free MP3’s) • Some Early April Finds:
Charlie Segar, L. C. Williams, Claude Casey’s Pine
State Playboys, Jelly Roll Morton,
Seven Hot Air-Men

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Spring is bustin’ out all over, and so are the 78s. A few favorite finds from the last several weeks, a couple of them from dealers and the rest from lucky estate-sale and junk-shop finds:

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SEVEN HOT AIR-MEN [ED KIRKEBY]: Lowdown Rhythm (E-)

New York: May 23, 1929
Columbia 1850-D (mx. W 148618 – 2)
Ed Kirkeby’s “hot” unit, after his California Ramblers went the big-band route. Personnel from the Kirkeby log: Phil Napoleon (trumpet); Carl Loeffler (trombone); Pete Pumiglio (reeds); Chauncey Gray (piano); Tommy Felline (guitar); Ward Lay (string bass); Stan King (percussion).

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JELLY ROLL MORTON & HIS ORCHESTRA: Courthouse Bump (EE+)

Camden, NJ: July 9, 1929
Victor V-38093 (mx. BVE 49453 – 2)
Other than Morton, the personnel listed in Rust’s Jazz Records and derivative works are anecdotal (no source cited, and not original Victor file data). Note that personnel were added to some RCA documentation long after the fact, probably in conjunction with the Bluebird reissue program in the 1940s. They appear to have been taken from the none-too-reliable Charles Delauney discography and unfortunately are often mistaken for original Victor documentation, which lists only the instrumentation (not the players).

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CHARLIE SEGAR: [Pine Top’s] Boogie Woogie (E)

Chicago: January 11, 1935
Decca 7075 (mx. C 9646 – A)

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CHARLIE SEGAR: Cow Cow Blues (E)

Chicago: January 11, 1935
Decca 7075 (mx. C 9645 – A)

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CLAUDE CASEY & HIS PINE STATE PLAYBOYS:
Pine State Honky Tonk
(
EE-)

Rock Hill, SC (Andrew Jackson Hotel): September 27, 1938
Bluebird B-7883 (mx. BS 027737 – 1)

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L. C. WILLIAMS: You Never Miss The Water (E- to V++)

Houston (Bill Quinn studio): c. June 19, 1947
Gold Star unnumbered acetate
Issued commercially on Gold Star 614. For a detailed history of Bill Quinn’s studios and labels, along with more than 1200 other entries, check out American Record Companies and Producers, 1888–1950 (limited edition, available from Mainspring Press while supplies last).

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We pay top collector prices for records of this type (must be true,  non-grainy E- or better; V+ may be acceptable for rarer items). Why settle for dealer prices for your higher-end disposables? Let us know what you have, grade honestly and accurately with all defects noted (including any label damage), and state your best price.

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Collectors’ Corner (Free MP3’s): Some March 2019 Finds • Fats Waller with Tom Morris, Fletcher Henderson, Duke Ellington, Red Nichols, East Texas Serenaders, Uncle Dave Macon

Collectors’ Corner: Some March 2019 Finds
Fats Waller with Tom Morris, Fletcher Henderson,
Duke Ellington, Red Nichols, East Texas Serenaders,
Uncle Dave Macon
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THOMAS MORRIS & HIS HOT BABIES with THOMAS [FATS] WALLER  (E)

Camden, NJ (Church studio): December 1, 1927
Victor 21358 (mx. BVE 40097 – 2)
“Race release,” per Victor files. The personnel listed in Rust’s Jazz Records and derivative works, other than Waller and Morris, should be considered speculative (no source cited, not from Victor file data).

 


RED NICHOLS & HIS FIVE PENNIES: Ida, Sweet as Apple Cider  (E+)

New York: August 15, 1927
Brunswick (British) 01536 (mx. E 24232)
Stock arrangement, per the Brunswick files. The personnel listed in Rust’s Jazz Records and derivative works, other than Nichols, should be considered speculative (no source cited, not from Brunswick file data).

 


DUKE ELLINGTON & HIS ORCHESTRA (as The Jungle Band): Tiger Rag,
Part 2
 (EE+)

New York: January 8, 1929
Brunswick (French) A 9279 (mx. E 28941 – A)
Irving Mills arrangement, per the Brunswick files. The personnel listed in Rust’s Jazz Records and derivative works should be considered speculative (no source cited, not from Brunswick file data).

 


FLETCHER HENDERSON & HIS ORCHESTRA: Tidal Wave  (E)

New York: September 12, 1934
Decca 213 (mx. 32602 – A)
The personnel listed in Rust’s Jazz Records and derivative works should be considered speculative (no source cited, not from Decca file data).

 


EAST TEXAS SERENADERS: Acorn Stomp  (E)

Dallas: December 2, 1927
Brunswick 282 (mx. DAL-720- )

 


UNCLE DAVE MACON & HIS FRUIT-JAR DRINKERS: Tom and Jerry (E- to V+)

New York: May 9, 1927
Vocalion 5165 (mx. E 2759)

CHARM: Another Outstanding Online Discographical Project

Not as widely known as the Discography of American Historical Recordings (although it certainly deserves to be), the UK-based CHARM website offers another outstanding online discography — in this case, of historical classical and operatic recordings. Hosted by the AHRC Research Centre for the History and Analysis of Recorded Music, CHARM is partnership of Royal Holloway, University of London (host institution) with King’s College, London, and the University of Sheffield.

CHARM is the perfect complement to DAHR, offering hard-to-find data on foreign as well as domestic recordings, primarily from the 1920s onward. The database includes much of The Gramophone Company’s 78-rpm output (from original file data compiled by the late Alan Kelly), as well 78s and some LP series from numerous other US, UK, and European companies, including Columbia and Decca, from data supplied by Michael Gray. *

The CHARM site includes a very flexible search engine, and results can be downloaded as comma-delimited text (.csv) or Microsoft Excel files. Here’s a small part of the results from our search on Cesare Formichi’s Columbia recordings:
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In addition, almost 5000 streaming sound files are available via the Find Sound Files facility. Sound files are transferred from 78-rpm discs held by the King’s Sound Archive at King’s College London.

Like DAHR and the affiliated National Juke Box site from the Library of Congress, CHARM is an entirely free service, with no registration or log-in required.

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* Dr. Alan Kelly compiled the monumental His Master’s Voice Discography for Greenwood Press during its glory days in the 1990s; when new owners pulled the plug, he completed the project on his own, self-publishing the entire run on a set of inexpensive CDs. In 2007 he was honored with the Association for Recorded Sound Collections’ Lifetime Achievement Award. Michael Gray — besides being one helluva nice guy — has had a distinguished career that includes a long run as director of the Voice of America’s Research Library and Digital Audio Archive projects. He served as series editor for Greenwood Press discographies, has written numerous books and articles, and is the recipient of ARSC’s 2011 Lifetime Achievement Award.

 

The Playlist • Memphis Minnie, with Kansas Joe and Bumble Bee Slim (1929–1936)

MSP_mccoys-voc-1576

 

LIZZIE DOUGLAS & JOE McCOY (as Kansas Joe & Memphis Minnie): Goin’ Back to Texas

New York: June 18, 1929
Columbia 14455-D (mx. W 148709 – 2)

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LIZZIE DOUGLAS & JOE McCOY (as Kansas Joe & Memphis Minnie): She Wouldn’t Give Me None

Memphis: February 20, 1930
Vocalion 1576 (mx. MEM 732 – )

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LIZZIE DOUGLAS (as Memphis Minnie, with uncredited pianist):
Dirty Mother for You

Chicago: January 10, 1935
Mx. C 9641 – A
From a c. 1960 blank-label vinyl pressing from the original stamper. This recording was issued commercially in 1935 on Decca 7048.

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AMOS EASTON & LIZZIE DOUGLAS (as Bumble Bee Slim & Memphis Minnie, with uncredited others): New Orleans Stop Time

Chicago: February 6, 1936
Vocalion 03197 (mx. C 1227 – 2)