Custom-Pressed Standard Talking Machine Discs, and an Odd Standard Style X Arm Support

Custom-Produced Standard Talking Machine Discs, and an
Odd Standard Style X Arm Support

 

A couple of interesting pieces from the Standard Talking Machine Company of Chicago have arrived recently that are worth sharing. (For the full story of Standard and related businesses, see our posting on the Chicago Premium Scheme Labels.)

The first is a 1909 letter, from Standard to a retailer who had requested Hungarian records that Standard did not stock. Standard’s reply was that they could make special arrangements  with Columbia to customize existing records for Standard machines, raising the possibility that special Standard-labeled discs might exist that don’t appear in the Standard catalogs:

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Customizing would not come cheaply. A later message from Standard to the same dealer noted that dealer cost would be 65¢ per disc for the foreign-series titles (in other words, close to full retail), rather than the 50¢ charged for regular releases. Add the shipping charges, which Standard passed on to its dealers, and there would have been little profit in the custom pressings.

Presumably, Columbia would have been willing to make the same accommodation for other foreign-catalog (E-series) records, although we’ve yet to see any E-series discs, Hungarian or otherwise, with Standard labels. It seems far less likely that Columbia would have been willing to customize any domestic (A-series) material not already in Standard’s catalog, especially since much of its higher-priced talent was off-limits to Standard.

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The next item is a 1911 envelope picturing the Standard Style X machine, put out by a photographic firm that offered the machine for free (most likely in exchange for credits or coupons that would have been given out with each purchase of specified goods or services, a common giveaway scheme). What’s unusual — aside from the substitution of a cheaper horn for the usual morning-glory — is the rather klutzy bent-rod arm support, replacing the normal, more graceful, cast-aluminum support.

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The illustration on the envelope has been reproduced from a photograph, so clearly this bent-rod support existed; but we’ve yet to see one, or even a modern photo of one, on any Standard front-mount. Anyone have an actual example of this support, or information on when or why it was used?

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Dick Spottswood’s Columbia “C” Series Discography (1908 – 1923) • Free Download Now Available

We’re happy to announce that the next installment in Dick Spottswood’s Columbia ethnic-series discography is now available for free download. This section covers the C-prefixed series, which was intended for the Spanish-speaking markets — a tantalizing mixture of performances by Cuban, Mexican, Puerto Rican, and other Latino artists (most of them recorded in their native countries by traveling Columbia engineers), operatic arias and light classics from domestic and imported masters, and various odd-and-ends “repurposed” from other catalogs.
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msp_columbia-cuba_1915-4

msp_columbia-mexico-1

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Click here
to download the discography in PDF format (approximately 5 megabytes). As with the previous installment, this material may be copied or distributed for personal use, provided that the source is cited. Sale or other commercial use is prohibited.

Dick’s latest update of his Columbia “E” series discography will be posted soon.

The Playlist • Some Columbia “E” Series Favorites (1908 – 1920)

Be sure to check out Dick Spottswood’s excellent new Columbia “E” Series Discography, available as a free download courtesy of the author and Mainspring Press.

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ABE SCHWARTZ’S ORCHESTRA: Sher — Part 2 [Jewish]

New York: c. October 1920
Columbia E4905 (mx. 86691 – 2)

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STEFAN RADIN (accordion): Malo Kolo [Serbian]

New York: c. June 1917
Columbia E3638 (mx. 58373 – 1)

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TAMBURASKO DRUSTVO: Ah, haj, Boze doj [Serbian]

New York: c. March 1918
Columbia E4190 (mx. 84187 – 1)

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VINDENSKA SALON KAPELA: Tance detektivu — Americká Melodie [Czech]

Unknown location and date (U.S. release 1913)
Columbia E1532 (mx. 66953 – 1)

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CHINESE NOVELTY ORCHESTRA: Chinese One-Step — Part 1 [Chinese]

Unknown location and date (U.S. release 1920)
Columbia E4506 (mx. 85544 – 1)

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ARISTIDE SIGISMONDI: ’E guaie ’e Nicola [Italian]

New York: c. March 1917
Columbia E3436 (mx. 58149 – 1)

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BAND with VOCAL CHORUS: Schorsch’l, kauf mir ein Automobil [German (British composition)]

Berlin: c. September 1908
Columbia E654 (mx. 41669 – 1)
A retitling of “The Perman’s Brooklyn Cake Walk” (a.k.a. “Dream of the Rarebit Fiend”), with added lyrics that have nothing to do with either title.

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BILLY WILLIAMS: I’ve Found Kelly [English (Australian artist)]

London: 1911
Columbia E1777 (mx. 27411 – 1)