The Playlist • José Mardones (1910–1923)

MSP_col-A5216_30417.

JOSÉ MARDONES: Mefistofele — Ecco il mondo
With studio orchestra

New York: April 9, 1910
Columbia A5216 (mx. 30417 – 2)

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JOSÉ MARDONES: Mefistofele — Son lo spirito che nega
With studio orchestra

New York: April 8, 1910
Columbia A5216 (mx. 30415 – 1)

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JOSÉ MARDONES & GIOVANNI ZENATELLO: Aida — Numi custode e vindice
With uncredited chorus & orchestra

New York: April 12, 1912
Columbia A5426 (mx. 36366 – 2)

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JOSÉ MARDONES: La alegría del battalón (Serrano)
Studio orchestra conducted by Rosario Bourdon

Camden, NJ: March 9, 1923
Victor 921 (mx. B 27597 – 2)

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Leo Slezak in the Pathé Studio (c. 1913)

MSP-TMW-1914_slezak-patheThe location is probably Vienna, reputedly the site of Slezak’s 1913 Pathé session. The photo was reproduced in the September 1914 Talking Machine World, just as the New York–based Pathé Frères Phonograph Company (the French company’s U.S. licensee) was preparing to unveil Pathé discs to the American public. The company had only recently begun to make its own recordings and thus had to rely heavily on imported discs, like Slezak’s, to fill the initial catalog.

The oversized cylinder master, from which the disc masters would be transcribed pantographically, can be seen at the far right. This photo (along with others taken in the American studio and in various foreign locations) contradicts the popular anecdotal tale that Pathé’s recording equipment was a jealously guarded secret, hidden behind locked doors and never to be glimpsed by performers or the public.