Collector’s Corner (Free MP3 Downloads) • Some August–September 2019 Finds: Nat M. Wills, Fanny Brice, California Ramblers, King Oliver, Paul Howard, Bennie Moten

Collector’s Corner (Free MP3 Downloads)
Some August–September 2019 Finds: Nat M. Wills, Fanny Brice, California Ramblers, King Oliver, Paul Howard, Bennie Moten

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NAT M. WILLS: If a Table at Rector’s Could Talk (from Ziegfeld’s
Follies of 1913
(E)

Camden, NJ: September 22, 1913
Victor 17461 (mx. B 13840 – 1)
Orchestra directed by Frank N. Darling (director of the Follies pit orchestra), per the Victor files. Brian Rust’s Complete [sic] Entertainment Discography erroneously lists this as a New York session under the direction Walter B. Rogers.

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FANNY BRICE: [The] Sheik of Avenue B  (E)

Camden, NJ: July 14, 1922
Victor 45323 (mx. B 26800 – 2)
Studio orchestra directed by Rosario Bourdon, per the Victor files.

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CALIFORNIA RAMBLERS (as Palace Garden Orchestra):
After You’re [sic] Gone
  (E)

New York: June 24, 1927
Pathé 36653 (mx. 107644 – )
Personnel per manager Ed Kirkeby’s log: Chelsea Quealey (trumpet); Bobby Davis, Sam Ruby (clarinet, saxophones); Adrian Rollini (bass saxophone, goofus); Jack Rusin (piano); Tommy Felline (banjo); Herb Weil (percussion); unlisted (whistling). Rust’s Jazz Records erroneously lists Max Farley rather than Sam Ruby.

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KING OLIVER & HIS DIXIE SYNCOPATORS (as Savannah Syncopators): Wa Wa Wa  (E–)

Chicago: May 29, 1926
Brunswick 3373 (Vocalion mx. E 3181)
Subsequently assigned Brunswick mx. E 20637, but this pressing shows the Vocalion mx. number, in the usual truncated form. Personnel listed in Rust’s Jazz Records and similar works are undocumented (no source cited; not Brunswick-Vocalion file data).

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BENNIE MOTEN’S KANSAS CITY ORCHESTRA: Band Box Shuffle  (E+)

Chicago: October 23, 1929
Bluebird B-6710 (mx. 57303 – 1R, transcribed from
mx. BVE 57303 – 2 on January 4, 1937)
Dubbed reissue of Victor 23007; Rust’s Jazz Records erroneously shows both sides of Bluebird B-6710 as using the original (undubbed) masters. Personnel listed in Jazz Records and similar works are undocumented (no source cited, and no personnel listed in the Victor files, other than Moten, director; and William [Count] Basie, piano).

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PAUL HOWARD’S QUALITY SERENADERS: Quality Shout  (V++)

Culver City, CA (Hal Roach Studios): April 29, 1929
Victor V-38122 (mx. PBVE 50831 – 5)
Personnel listed in Rust’s Jazz Records and similar works are undocumented (no source cited; not Victor file data).

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PAUL HOWARD’S QUALITY SERENADERS (Lionel Hampton, vocal): Stuff  (V++)

Culver City, CA (Hal Roach Studios): April 29, 1929
Victor V-38122 (mx. PBVE 50877 – 1)
Personnel listed in Rust’s Jazz Records and similar works are undocumented (no source cited; no personnel listed in the Victor files, other than Hampton).

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Always looking to buy collector-grade 1920s and early 1930s jazz and blues 78s that we need, at fair collectors’ prices. True E– or better preferred, strong V+ may be acceptable for some scarcer items; but nothing lower, except for extreme rarities. We welcome lists of accurately, honestly graded disposables (VJM scale) with all defects, including label damage and any surface grain, noted, along with your asking prices. Act soon, before the coming recession (bet on it; the financial experts are) drives prices down, as happened during the Bush Economic Collapse — Oh, the great stuff  that came out of hiding at near fire-sale prices during those years!

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