CORRECTION: Al Jolson’s Saint Louis Session (or, Why You Can’t Always Trust Original Recording Files)

[Note: The original version of this posting incorrectly referred to a Kansas City session; the correct location was Saint Louis. Our apologies for the error.]

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In Part 4 of Jim Drake’s Gus Haenschen interview, Haenschen recalled a Saint Louis session at which Al Jolson had trouble recording “California, Here I Come” with Gene Rodemich’s Orchestra. However, that recording was actually made in Chicago, with Isham Jones’ Orchestra.

Moreover, the Brunswick files showed no instance of Jolson ever having recorded in Saint Louis. But now, thanks to a newspaper report supplied by Colin Hancock to Jim, we know better.

The clipping below, from the St. Louis Globe-Democrat for March 16, 1924, makes it clear beyond any doubt that Jolson and Rodemich recorded in that city, and that Haenschen simply confused the title from a slightly earlier Jolson-Jones session, which produced “California, Here I Come,” with the Jolson-Rodemich session that produced “Lazy” and “My Papa Doesn’t Two-Time No Time.”

The latter session, which is the one Haenschen apparently described in the interview, is erroneously listed in the Brunswick files as having taken place in Chicago rather than Saint Louis — even though the file notes that four of the orchestra members were “paid by Mr. Haenschen in St. Louis.” The company assigned “Ch” (Chicago series) master numbers to these recordings, a practice that would persist for all of the 1924–1926 Saint Louis sessions; in those cases, however, the correct city was noted in the files.

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