A 1901 sampler, from Eldridge R. Johnson’s studios. Several of these recordings pre-date Johnson’s creation of the Victor Talking Machine Company, on October 3, 1901. At the time, Johnson and Harry O. Sooy (his chief recording engineer) were producing remarkably well-balanced, forward-sounding masters that were markedly superior (even with the surface noise) to the later thin, tinny “Victor sound.”
METROPOLITAN ORCHESTRA: Plantation Pastimes
Camden, NJ (Johnson Factory Building): March 2, 1901
Victor Monarch Record 3163 (-1)
DAN W. QUINN: Ain’t That a Shame
Philadelphia (424 S. 10th Street): November 21, 1901
Victor Monarch Record 3525 (-2)
The spoken intro is damaged and has been deleted from this transfer.
DAN W. QUINN: I Ain’t A-Going to Weep No More
Camden, NJ (Johnson Factory Building): February 27, 1901
Victor Monarch Record 3149 (-1)
JOSEPH NATUS: The Fatal Rose of Red
Camden, NJ (Johnson Factory Building): February 16, 1901 (?)
Monarch Record 683 (renumbering of Victor Monarch 3114)
Natus remade this selection on November 26, 1901. Moran & Fagan’s transcription of the Victor files shows the original version as being used on all renumbered pressings, but this might be in error; the original master was returned as no longer usable on October 3, 1902, pre-dating the 1903–style (sunken-label) stamper used for this transfer.
VESS L. OSSMAN: Salome — Intermezzo
Camden, NJ (Johnson Factory Building): January 21, 1901
Victor Monarch Record 3049 (-1)
Studio locations are per Harry Sooy, Victor’s chief recording engineer at the time. The piano accompanists are uncredited in the Victor files and on the labels. Victor’s usual pianists during this period were C. H. H. Booth and Frank P. Banta (the latter the father of 1920s novelty pianist Frank E. Banta). The occasional speed fluctuations are defects in the original recordings.