Broadway pressing from NYRL mx. 20924 (with Joe Sanders’ last name
misspelled), originally issued on Paramount 20668
A bit of “hide the band” activity, while we’re on the subject of the Coon-Sanders Orchestra. In November 1928, they recorded four titles for Paramount at the Marsh Laboratories, obviously on the sly since they were exclusive to Victor at the time. Two sides were released under the suspicious-sounding “Manhattan Entertainers” name. The other two were credited to the “Castle Farms Serenaders,” which had at least a grain of truth, since the band played on occasion at Cincinnati’s Castle Farms .
Three were titles that the band never recorded for Victor, but Joe Sander’s own “Tennessee Lazy” was an exception. Three months later (by which time the Paramount version probably had already been released), the band would record the tune for Victor under its own name. Aside from the addition of Joe Sander’s vocal, and the obvious differences in tempo (due partly to slightly different recording speeds) and recorded-sound quality, the performances are virtually identical. No “cover” band could have produced such a perfect sound-alike, especially since the Victor version had not yet been recorded and thus could not have been copied.
Brian Rust somehow missed the correlation in Jazz Records 6th Edition, listing the “Castle Farms Serenaders” on this session as an entirely unknown band, although he did credit the vocal on the reverse (a straightforward reading of “High Up on a Hilltop”) to “Franks Wells,” which was actually just a pseudonym used to cover several different singers on Broadway over the years. The attribution doesn’t appear on our copy of Broadway 1227, although we’ve heard it does appear on others. American Dance Bands on Record and Film erroneously credits the record to a Bill Haid group, with no reason given (banjoist Haid had been in and out of the Coon-Sanders Orchestra several times, but by this time he had his own band, a so-so outfit that was not up to Coon-Sanders’ level on any recordings we’ve heard so far). Earlier Paramount issues under the “Castle Farms” name still bear further investigation; the undocumented personnel listed by Rust for those sessions, although not disclosed as such, appear to be purely speculative.
COON-SANDERS ORCHESTRA (as Castle Farms Serenaders): Tennessee Lazy
Chicago (Marsh Laboratories): November 1928
Broadway 1227 (mx. 20924 – 2)
Paramount release: c. January 1929
Broadway release: Spring 1929 Montgomery Ward list
COON-SANDERS ORCHESTRA (Joe Sanders, director and vocal): Tennessee Lazy
Chicago (Victor Lab, 925 N. Michigan Ave.): February 12, 1929
Victor 21939 (mx. BVE 48880 – 2)
Released: May 17, 1929 — Deleted: 1931