MR. O’CONNELL (as BILLY REYNOLDS): I Got It (The Fidg-e-ty Fidge)
New York (master shipment date): March 17, 1923
Gennett 5111 (mx. 8282 – A)
With uncredited orchestra
A mystery artist — We’re going out on a limb here by lumping whoever this is in with the vaudevillians, but his style certainly suggests some stage experience. The Gennett log sheet attributes this only to a “Mr. O’Connell” (not M. J. O’Connell, based on the aural evidence), and the record was issued under the equally obscure name of “Billy Reynolds.” Anyone know anything about him?
EDDIE NELSON: I’ve Got the Joys
New York — Released October 1921
Emerson 10426 (mx. 41919 – 3)
With studio orchestra probably directed by Arthur Bergh
Eddie Nelson (1894–1940; not to be confused with song-writer Ed G. Nelson) was a California native who toured in vaudeville with a succession of partners. His first major role in a musical comedy was in the 1921 production of “Sun-Kist” (Globe Theater, New York), from which he took his nickname. Nelson was a hit in London in 1927, where a reviewer opined, “He is starring at a very big salary…and evidently jusitifies it.” He made one Vitaphone short in 1928, and additional single-reelers in the 1930s as “Sun-Kist Nelson.”
JANE GREEN: Somebody Like You
New York: January 30, 1925 — Released April 24, 1925; Deleted 1926
Victor 19604 (mx. B 31451 – 6)
With studio orchestra directed by Nathaniel Shilkret
Another California native, Jane Green got her start as a child actress in Los Angeles, toured in vaudeville as a teenager, then headlined at the major New York houses from 1918 into the late 1920s. Her Broadway credits include “The Century Revue” and “The Midnight Rounders” (1920), “Nifites of 1923,” and various editions of the “Grenwich Village Follies.” She began broadcasting over station WOR (Newark, NJ) in 1925.
Photo from the G. G. Bain Collection, Library of Congress